In the context of borders, the film presents the Jerusalem neighborhood of Gilo, where the director was born and raised. The four points of the compass represent various borders – physical, but mainly mental – that help define the concept of identity. The past is not represented at all. The film reveals the director's memories on the background of the locations as they appear today. In this way, the concept of memory turns the look back into something inaccessible and unrepresentable. Eran Sahar
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